While Westerns are often associated with clichéd gunfighter tales, the genre offers surprising diversity and depth. From its early days in Hollywood to modern times, Westerns have produced some of cinema’s greatest works, exploring various subgenres, themes, and styles. To showcase this diversity, we’ve compiled a list of 35 outstanding films spanning over 80 years of cinematic history.
#35 The Power of the Dog (2021)
While “Brokeback Mountain” has been lauded as the quintessential portrayal of homosexuality against hyper-masculine Western archetypes, Jane Campion’s Oscar-winning adaptation of Thomas Savage’s novel presents a compelling alternative perspective. Campion’s film delves into the complexities of its characters with a willingness to confront their flaws, resulting in a potent exploration of resentment’s corrosive effects. Rooted in classical Western imagery yet infused with modern sensibilities, it serves as a profound meditation on the destructive power of bitterness.
#34 Hell or High Water (2016)
In “Hell Or High Water,” Chris Pine and Ben Foster portray bank-robbing siblings pursued by lawman Jeff Bridges. While the premise echoes an 1880 setting, director David Mackenzie and writer Taylor Sheridan anchor the film in contemporary themes of economic struggle and desperation. This modern twist transforms the movie into a compelling neo-Western, offering commentary on the allure of rooting for outlaws in traditional Western narratives.
Kelly Reichardt’s “Meek’s Cutoff” challenges the conventional Western narrative by focusing not on gunfights or robberies, but on the primal instinct for survival. Set against the backdrop of a lost wagon train journeying West, the film captivates with its slow-burning tension and pervasive sense of impending danger. Despite its patient pace, “Meek’s Cutoff” delivers a gripping exploration of human resilience in the face of adversity.
While the Coen Brothers have explored various Western themes, their adaptation of Cormac McCarthy’s novel stands out as their most compelling venture into the genre. “No Country for Old Men” follows a man pursued by an assassin and a sheriff grappling with the evolving concept of justice. Transcending time, the film captures the essence of Western cinema while offering a perspective rooted in a shifting moral landscape.
#31 The Assassination of Jesse James by the Coward Robert Ford (2007)
Andrew Dominik’s film, despite its revealing title, captivates with its lush storytelling and profound human moments. Centered around the complex dynamics between Brad Pitt’s Jesse James and Casey Affleck’s Bob Ford, the narrative delicately explores the path towards an inevitable conclusion. As the characters’ intricate dance unfolds, the film evolves into a poignant reflection on the beauty and haunting inevitability of a particular way of life.
Jim Jarmusch’s contemplative black-and-white interpretation of Western cinema revolves around an accountant (portrayed by Johnny Depp in one of his standout performances) thrust into a shootout, triggering a relentless manhunt. Along his escape, he forms an unexpected bond with a Native man (played by Gary Farmer in a standout performance), leading to profound revelations about existence, mortality, and the liminal spaces in between. In true Jarmusch fashion, it’s a Western that defies conventions and offers a uniquely introspective perspective.
In “The Quick and the Dead,” Sam Raimi infuses his signature stylistic flair into the Western genre. Following the tale of a female gunfighter (portrayed by Sharon Stone) seeking vengeance amidst a fast-paced tournament, Raimi elevates his quirky camera work to new heights while staying true to the essence of the Western narrative. The result is one of Raimi’s standout achievements in filmmaking.
During the 1990s, the Western genre waned in popularity within American cinema. However, filmmakers who persevered in the genre found success by blending traditional elements with the action movie aesthetics of the 1980s and 1990s. “Tombstone,” featuring Kurt Russell and the remarkable Val Kilmer, exemplifies this approach. It seamlessly combines the classic Western style with contemporary sensibilities, resulting in a masterfully crafted film that remains endlessly captivating and rewatchable.
Following a string of acclaimed Westerns including “The Outlaw Josey Wales,” “High Plains Drifter,” and “Pale Rider,” Clint Eastwood solidified his legacy in the genre with this Best Picture-winning masterpiece. This classic, anchored by stellar performances from Gene Hackman and Morgan Freeman, showcases Eastwood’s laser-focused portrayal of the West’s brutality. With its stunning cinematography, it stands as a contender for the finest revisionist Western ever crafted.
Drawing from lessons learned from legendary directors of Western cinema, Clint Eastwood transitioned to directing himself, crafting one of the most illustrious careers in American film history. Among his early Western ventures, none may surpass this particular film, where Eastwood not only directs but also stars as the protagonist—a vengeful man without allegiance. However, his resolve is tested when he encounters individuals who challenge his singular purpose and offer a glimpse of redemption.
Similar to “The Wild Bunch,” Sam Peckinpah’s “Pat Garrett and Billy the Kid” is a gritty, action-packed portrayal of unrefined masculine authority. However, unlike its predecessor, this narrative, centering around a resolute lawman (James Coburn) and a brash outlaw (Kris Kristofferson), carries a mournful undertone, heightened by Bob Dylan’s evocative soundtrack. Ultimately, the film reflects on the fading of a particular brand of adventurous spirit that defined the West and the Western genre.
Directed and starring Sidney Poitier, this compelling and occasionally humorous film delves into the challenges faced by Black settlers confronting racism on the American frontier post-Civil War. Poitier portrays an escort for these settlers, striving to reach the promised land of the West amidst threats from racist gunmen. Alongside him, Harry Belafonte shines as a con man who discovers unexpected depths of compassion. With its powerful dual performances, the film offers a refreshing exploration of a lesser-known aspect of the Western narrative.
Robert Altman’s Western film strikes a unique balance between laid-back charm and compelling emotional depth. Warren Beatty and Julie Christie deliver standout performances in the title roles, portraying a dynamic duo within Altman’s meandering yet engaging filmmaking approach. The film’s relaxed atmosphere captivates viewers, making even the most mundane moments enjoyable. However, when Altman ramps up the tension, it’s impossible not to be drawn in, creating a truly immersive experience.
“Butch Cassidy and the Sundance Kid” stands as both an iconic buddy movie and a classic Western, owing its success to a harmonious blend of several pivotal elements. George Roy Hill’s assured direction, William Goldman’s brilliantly crafted script, and, notably, the electric chemistry between Paul Newman and Robert Redford all contribute to its enchanting allure. From their comical misadventures to their poignant final stand, Newman and Redford embody a flawless on-screen partnership, cementing their status as one of cinema’s most unforgettable duos.
Sam Peckinpah’s Westerns are renowned for their relentless deconstruction of the genre’s conventions, stripping away the veneer of romanticism to reveal the raw essence of bloodshed, resilience, and survival. “The Wild Bunch” epitomizes this aesthetic, brimming with visceral shootouts and Peckinpah’s trademark slow-motion sequences. Bolstered by exceptional performances from the ensemble cast, notably William Holden and Ernest Borgnine, the film stands as a quintessential expression of Peckinpah’s gritty vision.
After the iconic success of “The Good, The Bad, and The Ugly” in 1966, Sergio Leone demonstrated his continued mastery of the Western genre just two years later with this expansive epic. The narrative follows a motley crew of gunfighters and desperados converging on a desert house in pursuit of hidden treasure. While the stellar cast, including Henry Fonda, Charles Bronson, Claudia Cardinale, and Jason Robards, delivers remarkable performances, it’s the cinematography that truly shines, reaching ambitious heights beyond even Leone’s renowned Dollars Trilogy.
In 1965, director Monte Hellman and a talented ensemble including Warren Oates, Jack Nicholson, Millie Perkins, and Will Hutchins ventured into the desert to film two Westerns consecutively. While both are regarded as classics, “The Shooting” maintains a distinct otherworldly quality compared to its companion film, “Ride in the Whirlwind.” With its straightforward narrative of a perilous journey, a enigmatic gunslinger, and a hidden truth, “The Shooting” offers an almost mystical and minimalist exploration into the depths of darkness.
While Sergio Leone is often hailed as the pinnacle of spaghetti Westerns, Sergio Corbucci also left an indelible mark on the subgenre. His collaboration with star Franco Nero on “Django” stands as one of the greatest spaghetti Westerns of all time. The tale of a gunfighter who totes his own coffin, it boasts unapologetic violence and unwavering suspense, cementing its status as a riveting classic.
Sergio Leone’s “Dollars Trilogy” propelled spaghetti Westerns to global fame, with its third and final installment often considered the pinnacle. “The Good, the Bad, and the Ugly” boasts electrifying performances from Clint Eastwood, Lee Van Cleef, and Eli Wallach in the titular roles. This cinematic masterpiece contends for the title of the greatest Western ever made, highlighted by an iconic showdown scene that ranks among the finest in cinematic history.
When One-Eyed Jacks faced directorial challenges, Marlon Brando assumed the helm for the only time in his career, crafting one of the standout Westerns of the 1960s. Brando and Karl Malden portray former partners torn apart by a botched robbery, embarking on a years-long quest for vengeance. Brimming with captivating performances, the film delivers excitement both in its dramatic exchanges and intense shootouts, courtesy of Brando and Malden’s remarkable acting prowess.
“The Magnificent Seven” could have easily relied on its premise as a Western adaptation of “Seven Samurai” and settled for a formulaic, albeit entertaining, genre film. However, under the direction of John Sturges, propelled by an ensemble cast led by Steve McQueen, and elevated by Elmer Bernstein’s remarkable score, the film transcends expectations. It emerges as one of the genre’s most potent embodiments, delivering a visceral surge of guns-blazing energy straight to the soul.
Positioned as a response to “High Noon,” Howard Hawks’ “Rio Bravo” portrays John Wayne as a resolute sheriff striving to maintain law and order in the face of a menacing gang following a murder in his town. Over 60 years later, the film continues to captivate with its clever, humorous, and thrilling narrative, depicting a disparate group uniting against overwhelming odds. Hawks and Wayne attempted to replicate its success twice with “El Dorado” and “Rio Lobo,” but never quite captured the magic of Wayne and Dean Martin’s on-screen chemistry again, showcasing the unique lightning in a bottle quality of “Rio Bravo.”
In Samuel Fuller’s “Forty Guns,” featuring Barbara Stanwyck in a commanding role as the affluent land baron leading 40 gunmen, viewers are treated to a visually stunning tale of love and betrayal unfolding in a town grappling for autonomy. Stanwyck’s magnetic performance anchors the film, while Fuller’s witty script infuses the narrative with a delightful sense of unpredictability, making “Forty Guns” a captivating and immersive cinematic experience.
“Seven Men From Now” marks the inception of the celebrated collaboration between director Budd Boetticher, star Randolph Scott, and writer Burt Kennedy, later known as “The Ranown Cycle.” This stripped-down, stylish Western brims with compelling energy. Following a former lawman’s quest to hunt down seven suspects in a fatal robbery, the film initially unfolds as a gripping revenge thriller before veering into unexpected, artfully crafted twists, elevating it beyond conventional genre fare.
John Ford’s dominance on this list reflects his unparalleled contribution to Western cinema, with “The Searchers” standing as his magnum opus. Featuring John Wayne as the leader of a group hell-bent on rescuing survivors from a Comanche raid, the film is imbued with unforgettable imagery and nuanced emotions. What sets it apart is Ford’s willingness to explore darker facets of Wayne’s character, Ethan Edwards, infusing the portrayal with depth and occasional menace, elevating “The Searchers” to legendary status within the genre.
“Vera Cruz” predates the revisionist Westerns of the 1960s, offering early glimpses of the genre’s darker themes and moral ambiguity. Starring Gary Cooper and Burt Lancaster as hired gunfighters escorting a countess to the titular city, the film showcases the darker flourishes that would later define Westerns. Director Robert Aldrich’s masterful handling of the final gun battle adds to its impact, solidifying “Vera Cruz” as an underappreciated yet highly influential classic of the genre.
Nicholas Ray’s “Johnny Guitar” follows in the footsteps of “Shane” with its focus on a protagonist with a mysterious background, but diverges by placing Joan Crawford’s determined saloon owner at the forefront. Unlike “Shane,” where the titular character holds center stage, Crawford’s character takes center stage in this female-led Western, refusing to yield to her rivals without a fight. Widely regarded as one of the earliest and finest examples of a female-led Western, “Johnny Guitar” also stands as one of Crawford’s most memorable roles.
“Shane” epitomizes the quintessential American portrayal of the “gunfighter with a dark past” narrative, featuring several definitive Western elements. The Technicolor cinematography creates a stunning storyscape, while Alan Ladd’s captivating and smooth portrayal of the title character mesmerizes viewers. The film expertly builds tension throughout, culminating in Shane’s gripping final moments of heroism, leaving audiences spellbound until the very end.
Fred Zinnemann’s Oscar-winning “High Noon” stands out among Westerns for its unparalleled mastery in building tension towards a climactic showdown. Gary Cooper’s portrayal of Will Kane, a departing town marshal forced to confront a notorious criminal alone, remains captivating throughout. What sets “High Noon” apart is its real-time pacing, with 85 minutes of relentless build-up, culminating in the exploration of whether one man’s commitment to moral principles is worth risking his life for.
“Winchester ’73” marks the inception of a fruitful collaboration between director Anthony Mann and star Jimmy Stewart, delivering a gripping narrative of revenge intertwined with the journey of the titular rifle as it changes hands like a fateful relic. Amidst plenty of action, Shelley Winters delivers a standout supporting performance, yet it’s Stewart who shines brightest, arguably delivering his finest hour as a Western actor in this compelling tale.
In Howard Hawks’ “Red River,” John Wayne portrays a resolute rancher determined to drive his vast herd north by any means necessary. The film showcases both the darker facets of Wayne’s persona and the cool steadfastness of Montgomery Clift, resulting in a thrilling cinematic experience. “Red River” stands as one of Western cinema’s great portrayals of the madness that consumes a man when his dreams of a new frontier turn into a series of harrowing nightmares.
In the 1940s, the convergence of Western and film noir sensibilities gave rise to the subgenre known as “psychological Westerns.” Among the finest examples of this form is Raoul Walsh’s “Pursued.” Featuring an ice-cold Robert Mitchum as a man seemingly cursed by fate, the film masterfully delves into inner turmoil simmering beneath the facade of the gunfighter mystique, resulting in a captivating exploration of psychological depth amidst rugged frontier landscapes.
John Ford’s “My Darling Clementine” stands out as one of the most visually stunning black-and-white Westerns ever crafted. Henry Fonda’s portrayal of Wyatt Earp navigating the tension and romance in the lead-up to the legendary Gunfight at the O.K. Corral is compelling, but it’s the film’s masterful cinematography that truly captivates. Each frame is a work of art, with the interplay of shadow and light creating a mesmerizing visual experience that demands pause to appreciate every single shot.
“The Ox-Bow Incident,” starring Henry Fonda, is a prime example of a straightforward Western with a powerful moral dilemma at its core. Fonda’s portrayal of a cowboy unwittingly drawn into a posse to apprehend an alleged murderer anchors this lean and gripping narrative. The film explores themes of mob mentality and the inherent darkness within human nature, making it one of the greatest titles to follow this formula in Western cinema.
Regarded as the film that elevated the Western genre from B-movie status to mainstream cinematic excellence, John Ford’s tale of stagecoach passengers striving to survive a treacherous journey remains as majestic and captivating today as it did over 80 years ago.
The Definitive List of the Greatest Westerns of All Time
Eduardo Gaskell
02.27.24
While Westerns are often associated with clichéd gunfighter tales, the genre offers surprising diversity and depth. From its early days in Hollywood to modern times, Westerns have produced some of cinema’s greatest works, exploring various subgenres, themes, and styles. To showcase this diversity, we’ve compiled a list of 35 outstanding films spanning over 80 years of cinematic history.
#35 The Power of the Dog (2021)
While “Brokeback Mountain” has been lauded as the quintessential portrayal of homosexuality against hyper-masculine Western archetypes, Jane Campion’s Oscar-winning adaptation of Thomas Savage’s novel presents a compelling alternative perspective. Campion’s film delves into the complexities of its characters with a willingness to confront their flaws, resulting in a potent exploration of resentment’s corrosive effects. Rooted in classical Western imagery yet infused with modern sensibilities, it serves as a profound meditation on the destructive power of bitterness.